NEW POEMS 5

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N E W     P O E M S     5

Peter Ganick

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© middle-autumn 2015 Peter Ganick

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new poem 5.1 [dialogue]

waking. the concept railing from & to.

shard. nothing held over a flame.

fold. loose canyon. the combination.

re-tone turn. grimace to drumbeat. offhand.

those nation icons. contravene billy-clubs.

multiplexer. addenda to luxury stereophonics,

blood blotted by porcelain.

far-away. eyes in the back of my headrest.

the theatrical. image of personism glowing.

the immanent we are immersed in intention.

mocha. contravene for surreal mindstyles.

tornado. or tsunami. no thanking yours.

bulletin. abbreviated.

concertino. concertina locus the flamboyant.

valiant motive. whether to do nor no or not to do.

wanders. mind minus content meandering means

wanes widely. just who you run with across the pike.

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new poem 5.2

it is commotion that imposes items enthralled without blunder.

hello helio, what’s your matrix flaunting today?

some ambulatory creature livid civilian bleats moodswing from candle to chandelier.

nothing would please more meteors balancing through therefores and absolutisms.

a small poem would suffice—however it’s the long-form extricates us.

federal questions admitted once on a shelf—

the impulsion for/from while standing still holds heliotropes.

fortunate for youtube’s free music-listening service.

patterning columns introspections midstream in life’s journal.

sweeping the porch stairs again & again & again—

zen exercise when your master orders it.

amacord waited for wonderfully kaleidoscopic introductions.

hoping through the night—shelving through the night.

vehicles downtown running lights to get there in an unnecessary hurry.

slow down the engines—shut down the engraving plates.

small-time big-town—the execration of mercy.

while contrasting the smoothest imports smothered yet.

harrowing threefold impetuosity greets geeks silently perishing—hola!

youtube remembers my previous selections in choosing songs to recommend to me.

arrangements reopen anxious matters forming while transitory agendas remain overhauled when comparisons flunk.

bylines blur the geometry of a rainstorm holding out for a chance throughout the night.

other-waves signal persistence opaquely motionless in cahoots before justice—that’s the swirl of irony shelving a flash-drive before savory complications drift away.

a cricket pours its hearing freely then returns for a giraffe a concept a memoranda an earful an imposing a motion—

while from before there’s nearness ‘neath an apple tree.

the setting sun on the green-greedy lawn forms patterns of small bits of light thrilling to see.

healing the either/or dichotomy has been the challenge of many philosophers.

the choice to contrast that imposition genetically is where to blend the two is complicated or simple—

which you choose is very important…

the surface hastens before abysses are jump-through-thereof-therein overcome.

holding one’s own oeuvre transigent—an ethos ditt- ditto-ditto before saying ‘goodness gracious—‘.

typing the reminder of dreamtime one shelf away—one book on that shelf.

a so-much-needed part two imitates together-tigers from the get-go.

everyone’s theatre-gems took ethics one step further.

tantalus without the frippery.

homeroom geraniums blossom before the frost becomes apparent.

hoops & we’ve been shown the before & after while demanding adaptation.

reveries of cherry-cola—weekly introspection before a greeter.

please form no lines—muffle no gasps—return from webs vivaciously free!

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new poem 5.3

motion-cahier thisness so voluntary it embraces loka-wide precious words.

indelible watermarks over a silence too largo that so behaves well to be elsewhere.

immersing, negotiated in a melancholy

thereto so politic that transfers are theatrical entities due their suchness.

it is one sheer ascent to thrown impossibility that no erroneous ceremony contains the bluster-thrall of picket fences.

well-knit & careful as a cartoon shown to hearing thought of a voluntary insertion.

no talk.

jabberwocky islands are here to pave—

the etiology if the world-whirl touches a rehearsal of motives 

all it is grappling with is arrays  holding others’ terms.

we fleece the genome by reifying somatic virtue—

shards are—

else the yelling story stopgap 

|on the table with ether coursing its veins.

it’s a small mystery the distanced magnets—

revoiced motor-cast thresholds of music—

thresholds beholden to calisthenics of discourse no longer as.

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new poem 5.4  

whose pride renames the fuel-can ‘operating system’?

so sullen the mo-ped get-goes behaving well before intimacy.

demonstration of affect is nearly lost when sleep takes over—

but the sacred orbit of that reminder is not welcome.

hola—permission sought is not forthcoming. 

winning is narrowly over-rated.

i think it’s bob dylan has a nice line i’d quote if i recalled correctly.

it’s a law of precision iteration needs here.

the organism behaves inside a warren to battle itself out to the oversoul.

a watershed of emotions that will never have other ways is too boring.

change is an unreal notion— 

unreal to those people not aware of that which they could be aware.

yet—yet..

as a semantic inventory this natural impression is strong & intractable.

so why not & why not?

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new poem 5.5  

onto role-platelet thematics.

we are a guardian of emptor-melancholy.

crowds of latency—

clouds of description so indelibly enraged.

so multiple is the form the attitude is thereof a vast heresy—

a decoy by abiding in relata—

errata of the mesh cordillera.

addressable that unrolls in duettino—

some other altruistic voice—

the next fealty more than excision.

so predictable thorough knit as a tie bo-ho boo-hoo.

echt gehesmene desk-jotterthink of ibm curio. 

snack food junga-loo—

tarzan & jane play at abstraction.

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new poem 5.6

when style opaques selfhood,

there’s infinite trouble. throughfare to

unfinished unreasonability, not longer 

malleable to cornea. implicated in

mnemosyne is gravity and rearrangement,

somewhere bolstered implacable for

a mod-ten-twelve impartition.

while echoes guard creation, spiritual

eminences hold

which candle chance balances out

the books of forwad emotion. 

in looking for you, an ocean of

sighs in this implausibility

coiling this way & that.

a bos of clear-breaking cereal—

the faster the breaking.

comparing which element thought

endures is naturally opaque

there is loiterers outside 

our window, we hold evidence 

against them unfairly—

perhaps the dog’s new bone

is not a change-of-subject-cube

for her. her agenda is always

wise.

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new poem 5.7

ecstasy reveals itself in a revel together with a button-knotted cobra tamer.

the words speed away once wondering then softly previous.

a party at their house is not the normality of aftereffect.

the pitch of the roof is also a quantifiable effectuality narrow as a short-gauge-railroad.

10 smiling cartouches blast through the window with out a briton’s classes.

haggard-eyed thoroughbreds elect themselves or someone of that-there ilk.

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new poem 5.8

i am interested. interested in the possibilities inherent…

where not impolitic & there suddenly appoints amphitheaters solid in your camp.

an inconsequential unconsciousness blots impressions out of card-members’ numeric coasts.

one two three four—now five—where else the foal-gentle-oaf somatic to reboot.

mindstyles running everyone wherewith holding eminence where plausibility enrolls.

intrepidity emulates on-time schematics—& why not?

blunt emplotments arrive where solemnity introduces petalisms north of silence.

the silence orpheus demands is parallel to interpretation.

somewhere someone defines no hat-check before entity.

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new poem 5.9

intractable emotion. 

logged ingestion of rivulets porous stake-shot bureaucracy 

once telling self-seldom hurrying over the candled self-smitten 

lobbed into room’s center. 

bylines imply overhead egoic lariats on either lighthouses or black-light.

satisfaction’s myopic leniency unfurls reified scalar hinges—

is that on mending quaffed inquiry?

it’s a shock gentility cannot abstract from defensive anomalies do not prepare 

for the walk-light to change to green 

before the curfew holds further steady.

bias controls orchestrate block-grants-

 mapping solace on walls of sleet-sheet-sleet rock walls of ice & grime—

thoughts are held in the background-operating engagement 

railroads of permissiveness en route torrents mill thresholds silently.

behavior called grassroots weave donor-profiles in & out of memory.

precision instructions often err—

attend to when it becomes one towards that—

we imply edicts—remove edits bleed what is normality’s site.

advancing mirrors call out for feasible storied sites 

smoked & snorkeled within the neighborhoods.

a grasp into relata [called ‘memory’ or other in other cases] proclaiming.

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new poems 5.10

where vouchsafed thresholds implicate denials—

onsets of dimming the light are precedents not yet fully in cadre with motionlessness.

once beheld in can-do witnessing motions exult noteworthy that signal overshot & prevailed.

oily food genetically pure , very free—

oil of the tobacco likely implacable & making its memoranda one step over the line

so we stand our ground,—having been there so long.

a recall of which partaking is empty or full

please to surround millings where silence is reversed.

the reversal of silence is more the cameo of itself to shred ears with its loud voice.

while imbibing that spirit of education, as long as the recorded beget their own modes.

it is its own moods tracking the rheharsal from one space to another.

a summation of versatility where one is where one goes to its other point the other side of the sky—

which was here first?

the enjoyer is none other than me—

please try to disprove it!

a hold on one’s answer is best.

there’s no one shelf dominates the world of words.

the word-world is at best a patchwork quill of reeff-tangles. 

perhaps as the solace of myopia is to not equal treading over snow-tracks.

animals in the winter woods—in the autumn it’s the autumn woods.

one intelligence detangles the other,—a motive at at time.

so protean the resistance, once pertinence holds itself over a candle—

there’s no telling where a chaise lounge or a teardrop on the face of the person on that fancy chair will pop up.

i am a silent witness—i report this to you—-

you determine to replace your coat on your lap

while sitting there on the chair, so valuable, you paid so little for,

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new poem 5.11

where the ocean upturns its stolen attitudes 

blood-hounded intelligent tomorrow’s quotidien.

weal of propriety—

who hastens praxis in the of face of wrung hands.

shell of turtle, shell to tyrant—

why else difference? 

what similarity?

from a small cocoon i turned—

small plastic jewels opened—

they  were really flowers.

the large of the three waited table tiers on one’s shoulder—

ready for a long-time weal of grommets.

one is stasis held in abeyance—

to the emotion combining context & essence without bloat—

one served the other—

those persist drifters.

salesmens’ offers blink opaquely in the harsh light.

rankled chair, thoroughly demolished by its lack of content,

but the per-audient needn’t know of that.

how can that be a contraction of that?

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new poem 5.12

nature torrero. knit robust gneiss-laden raftng walled with schist.

melodies swarm around a motive for remoteness—so unfortunate.

going north those repay ingestion’s holding martyrdom somewhere else—

isn’t that the frequency—jimbo?

met with on a holiday in venice—

not a holy day for certain.

entrapment from the more of the same inching to obliquity.

waking to grasp the geranium held in front of holding’s motion.

mouse-catcher—wide of signal—not outside in nature’s solar description.

sunset heals lasts longer the tone light waiting to change anywhere.

simple those persist—

because it’s a poem & it must be said.

waking to hearthful notions the reopened hearing heart negotiates with selfhood’s center—

a rarity nestled on the encroachment once shorn of praxis those oceans well-knotted at head’s top.

a tilde for your purpose—

so a siren is not more begone that roles can play at rules while waiting for lightness of heart to enter.

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new poem 5.13

contrasts the coeli then it is solemn.

midi those the costa del sol

contact with.

meteorological etymologies span the universal—

the astrophilic music is platelets.

a smartest world implies detail & expansion—

delicacy & remoteness.

aleatoric nuances are tobogganing where 

while some ask questions.

a super slowdown—ironic that some iterations behave 

believe where others are going southward.

zones of purity—zones where that is no question.

how comparison-ing defend delay & proceed partake—

we’ll never divulge.

neil young’s cover band is on the box—

raid the glow says cortez.

he is not playing that guitar.

is the expulsion final?

no voice is satiated yet.

no voice will tell of it.

the world will continue with parallax 

sweeping up the cinders.

NEW POEMS 4

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new poems four
© 2015 Peter Ganick

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new poem 4.1

how much is the doggie in the windows?
otherwise composite and totally unknowable.
memory of a toad.
happiness is a keen immersion in the totality of the universe.
human posing complicates everything.
the time of day is not the same as the motion of the stars
the stars change their patterns minutely & continually with no apparent rhyme or reason.
we are not a in stasis.
everyone renews all the cells in their body every seven years, i’ve heard.
what is rhyme?
what is reason?
tools to be used sparingly.
somewhere someone sometime is the rule.

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new poem 4.2

combining attention-spans is not like disapproval or reticence.
while ignoring truth-after-truth does one arrival mean as much as the other?
please act courteous.
do not wear a ‘fear no fear’ tee-shirt— 
it will advertise your youth as literal. 
mending shins is a subroutine of deserved parries—
not from this camp, though.
let me write, let me paint—
then i’ll know the world is d=l=r=o=w and more than s=d=r=o=w.
my computer can write vertically—
or so it claims.
someday i’ll give it a l=r=i=h=w.

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new poem 4.3

a rogue infinity crawls over the icy streets.
the spiel is that ‘poetry’ is different than ‘text’—
and between those is ‘writing’.
what distinguishes them from each other?
‘poetry’ is aesthetic, read out loud at ‘poetry readings’—
i try not to go to poetry readings.
‘texts’ are more experimental in nature 
having the aura of sanctity over them—
at least. so it’s said.
for instance, religious ‘texts’.
i do ‘writing’—trying to be free as possible in the form of ‘poetry’.
‘writing’ can be anything—
even have no outward distinctions.
categories mean nothing, it could be said—
they are merely a convenience.
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new poem 4.4

thursday.
late night.
the clocks are on backwards.
not only do ateliers walk backwards 
but chandeliers will need one hundred different synonyms. 
the chandliers’ synapses detail a regimen of no gluten, no sugar, and less salt.
fundamental changes arrive around handmaidens of purity-itself—
while the symmetry of increase and decrease is the same.
cycles are like circles that run with the tides.
seagulls screech in gloucester 
so a mindstyle is preserved.

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new poem 4.5

a wanderer supplied fiction from where ‘when is now’.
replicated pop-survivor minus-plus pop=pop-pop.
trolling phrenologists discern the wiles of a gullible audience.
metals form holograms where silence once was.
‘nature always unwinds’ i’ve herd it said.
nevertheless, a blind prophecy derides no one.
omissions commissons—
covered by language

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new poem 4.6

where i sign signal nieuw agenda genuflect & parry those fortitude beholds.
denizens—wary operatives culling motor motions kicking hidden in rumorese.
those fabulosities remind feint cackle thorough dispolitic that memory;.
olde that the cringe nefertiti gnashes calamine loofa spoons—deterrents.
imagining elemental elementation then thensone retinol chances changes.

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new poem 4.7

modalities—‘after you gaston’.
ad hominem for telephone synergy.
the opening chance channels oddity.
when there is nor pyre nor crosswise—
the optimum iteration goes fallow.
morning birds make scolding sounds as i sit here to write.
a presence operating modes through song & chant.
somewhere an angel pours milk for the capillaries of the king
who entrances himself with poised charms.

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new poem 4.8

a combination of immersion & technology 
recalls of omission.
text-radar blown away to the happenstance
not harassing global clime.
tale of the preoccupation.
retain pliability while sliding through
upbeats, 
the remission of 5-part-songs is while watching
an old teevee.
crashing clouds through intramural contrasts
tactful or not, the mahogany salute resembles
a cruet where politic mannerisms vanish before
legumes flourish.

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new poem 4.9 [unfinished poem in 5/4]

a colar exchange of collars would wake good choice.
the birds outside are scolding as i write this.
there’s rain to delay the game that wanders through a day of literal majesty.
bless the harvest.
bless this choice, aware of while the roaring sands grate through what doorway is the flame.
someone outward to me invites/volunteers the many others however their existence.
moot tenancy blossoms while drywall is constructed.
the only chance this coheres is kneeling before a moodswing.
go to change the routine.

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new poem 4.10 [unfinished poem in 3/16ths]

major d’omo calling the kettle blank.
for no reason. 
while opening or a scarfing down of pizza or some such other.
the kettle’s blackness is without control.
thereto opening a concern—
leaving tangible misconstrual…

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new poem 4.11 [‘woe is me’ poem]

it’s an opaque mirror on the wall.
sighing.
a root canal, a bridge, one extraction and two caps.
aunt winnie’d groan a large ‘oh vey’,
as wooden chromatic scales practiced by students everywhere
descend & ascend, descend & ascend.
reining where somethings don’t go for a long time
and others are chosen straight away.
everything has a preparation time & space.
mr einstein taught me that.
once in a wave of light i caught a foible called ‘the arts’.
fantasy football is far away from housing the rules of the game i play.
somewhere intractable motions claim what’s left of definitive mannerisms.
etched on a graffiti acknowledgement of change is nothing else after the fact of intentional homage.
so, i collect what’s left of the open chairs &
bear brunt of which aperitif grandstands out-ranger preoccupations. 

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new poem 4.12

please do not complicate what is simpler than 
dropping a coin onto a charm.
it’s already there—
that which in affect becomes additive.
cold cutlery arranged in rows & columns—
& why?
[…motor skills of a moron collect atrophization 
when rolling to barter with slaves…]
‘can you hear me knocking?’ sings an old pop song.
we are already waiting.
do entertain any notion voluntarily—
as the crosswise dauphin reflects while engaging chicken-proof-wired contractors 
to phrase a contemporary additive on what’s international & paisley.
not impressed—
are words collecting ashes in the corridor.
we are too early to lift baggage.
no one washes midstream anymore, it being too dangerously appetizing.
this has been called ‘a stray mind’—
get used to it!.

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new poem 4.13

it’s an opaque mindfulness, ‘illbience’.
…eight-letter word i coined.
always.
is healthy.
a condition of…
then.
as when in motion the accrual of decorum.
as however a parroting written above & about.
unlikely the torsion of callousness looking at what’s nearby.
so wide the concept. so malleable it is.
as when flying through a fogged sky tuned to nothing special.
why while attending to absence does an intuition of exactness flow from fingers used used to practicing classical piano.
…that which i no longer do.
a contract elsewhere has been happily signed.
cool idiomatic sanpaku person i are not.
shelving that line the opaque homage is stepped up.
…mannerisms in the midst of a crowd.
‘a stray mind’ and why not? it is.
choices everywhere where why? is not answered.

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new poem 4.14

as at the border of infinity & zero
whenever that error occurs 
no acknowledgement reverts
to rehearsal ‘one more time’ 
nor agape at the larger increment ahead.
small precious meandering solace & stray mind
that folds where mindfulness holds opacity
each lettered motion vanishing as sands
while decanting voice or signal,
symbol or meaning, thereof to decide
a citation a colophon assuming politic
narration evaluates telephone conversations
is it who oversees a natural decoy—
loitering in retreat, snail-paced.
big yeller nearby, the contrast is intact.
lunch hour goes by in this busy restaurant
defending the word lighted on this screen.
some long-faced operative closes down this
shout-filled room. not at fault, the laughter
is aware of happy children nearby. so much
confetti, these words, someday i’ll write a
‘real’ poem.

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new poem 4.15

a land’s blocker, voicive & perfunctory,
commbining various jalapeno specialisms.
tunneled into parallax—
affect grips the world
& is winnowed from friday into saturday.
complicating this from before hearing this—
there’s a notion nothing changes in repetition.
incorrect or correct doesn’t matter
& whether we tell is also without point.
let’s wait it out.
some comparative unreality is most likely why—
with time an indeterminate psychology
would be held responsible for sharing that 
plasma’s physiology is without map.
shoring up the prenuptial is impossible—
better meld a borograve.
an addenda within the same century—
name from frequency held in mind—
tassels hold pardons for their sleepy renegades—
a compressed world is intent on 
sparing wildernesses embracing years or millennia.
share one pod—
repeat ornaments—
oversold & underpaid.
in fact, 
overworked, understaffed & 
underpaid is the theme 
whether sung or pebbled.
let’s define me—
simple or complicated—
a token perfection that never materializes.
hoodoo economics has been replaced with
hoodoo ecology—
i don’t know what is worse.
my thought is: it will take a lot longer to get 
used to the effect of hoodoo ecology.
someone outside is speaking with a mega-
phone.
just then a tin can is thrown through 
the open summer window.
i think i’ll put on some headphones and listen
to some music.

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new poem 4.16 [in lee, ma]

while the walk light blink-blink-blinked assigning value go emotion—
some valley protrudes motionless caveat blossoming
where the glow ahead 
some motor-skills vanish dallying in chasms.
blunt from levitating to a response volitionally public not imagined
a corporeal motivation elicits shards waited for in sloth or in that emotion.
i thought to myself, 
‘hold still & keep breathing—
just keep breathing’.
emotion of air through the windpipe seemed visibly one-headed.
there would be no discussion period apres ski.
a commonality of purposive amity resides well into the evening
as the new car starts
into drone actuality with not a sound to awake 
which was surprising.
…still breathing—
…checking for that body-response—
a greeting was before the clock ran down-street with a broom.
many strangenesses combine the rules of syntax
taken for comedic invisibilities—
solved in context for narrowly-fed authority—
each the influence is bagged, ingested and ferreted liminal. 
constraint jumps the gun of sere-incalculable resists
what hand holds the hand that holds the hand
of mystery 
if one looks an endgame straight in the face
it is life itself that keeps on living.
what else can be revealed in spacetime 
is consulted in solitaire.
the whole wide world is sonatas for brunch—
& blankness where silence ought to be.
‘plink down yo’ nickels & dimes—tens & twenties—
who tells in what epoch alchemy began?
somewhere over the rain-bell no doubt’.
that’s what leaning-on can do for/to an entity, 
there on the rocks waiting to be zapped.
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new poem 4.17

the levitation of abandonment 
flies the midnight route northward.
without claimants, a varying ocean defers to
anyone having atari or floating on a clarinet.
people who warm erase coral reefs 
woolens are sought outside the home
once a day only the viceroy seeks politics
and that at the exercise room.
the most interesting man does not read a
newspaper, he gets news from the internet.
less and less and less and less no matter
how you cut it up an arrangement of sound
recalls itself one day at a time playing such
cliches purring through a crowded house.
mindstyle adapted from tenners on unthink-
able boats walled into photocopies harbors.
ennui is old school. permission is not granted.
it is not allowed. this keyboard is loose. 
there’s a zine about loose canines. why be
loose when sham burins hold attraction for
a larger percentage of the population. i’ve
always been a crowd pleaser. see me on the
music stage, full of found opinions, promul-
gating the errata of winding lakes onto into
out of that is activity for activity’s sake is
worth considering, that is, ‘not’. a halo around
the surface of the mountain checks the run-on
sentence or the run-down stronghold, without
a thought foregrounding the attribution found 
elsewhere nowhere faster than that then soon.
——————

new poem 4.18 

no tarrying in the cloud fields.
rules mount cold & sinkhole connoting a mimosa or a florin.
as the notion of where influence is ironic—& from.
melding heroic as the edge of an updrafted-word on a cliff. 
i caught trance nation on teevee without a shear cliff to behold.
unfurling a flecked-beetle heals a hand of shorn intent.
earthling, wait in the window across the street
as the minou becomes sniffling-reeled—
someday i’ll understand from where the fire-fountain
was lit.
glitterati pounce on the farm-fountain of spades & clubs.
the women grapple with their queens & diamonds.
the entrancement of charm reflects on them as
one solid chunk of sheet rock that is different &
cannot refuse its thought 
as it is. 





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an introductory section

  for an experimental poet, as i have been for a significant period of writing, these poems are an ‘experiment’ in themselves by going back to the more traditional conventional syntax mode of poetry. not forced or in any way alien-to-the-poet, these are a natural strain of writing that is occurring in me at this time. i have written so much ‘difficult’ poetry, the new writing is a refreshing change—and that is why they are called ‘new poems’. 
  there are two poets who used of the word ‘new’ related to poetry/poems that come to mind—ezra pound and ranier maria rilke. it would be an interesting study to make some theoretical comparison between isues in all three writings [if i can be so bold]. how does the word ‘new’ relate to the use of that word in pound’s and rilke’s poetry? what constitutes ‘new’ in poetry—whether in a single poem, a book, a period of a poet’s writing? what causes a poet’s mode to change? how does it seen in relationship to the previous & subsequent writing? is it truly ‘new’? for the poet, for his audience? should readers give the new writing a special look as the poet claims the poems are ‘new’ poems? a poem can be ‘new’ even if it’s the same-old-poem over and over again—but written a week later…it’s ‘next-week’s-poem’. 
  the ‘new poems’ will be updated section by section at intervals depending on how much has been written. i will not be hurrying…


a footnote follows: these poems might have been called 'hypnagogic  poems' a while back [from OE WordBook . hynagogia--the psychology of or relating to the state immediately before falling asleep]. 
  when writing these poems, by the end of a few lines, i would occasionally enter a hypnagogic state and then snap back to normal consciousness.  who knows? maybe this is a form of apnea,  [apnea-- temporary cessation of breathing, especially during sleep: thousands suffer from sleep apnea].   -also from OE WordBook. 
  these two conditions, could be the same, except the prior starts from the waking state to sleep-to waking state, the latter from within sleep-to-sleep-to-waking. however the poems are written, the poet feels hypnogogia is a part of the process of their composition. 
to illustrate: i'll be writing a line of poetry and 'nod off' but my fingers will continue to type some letters related to the words ongoing in my mind. 
upon waking, i'll be confronted by a jumble of letters only partially-related to the words that were going on in my mind during the 'sleep' state.
by the time i 'awaken', the words intended are only present in mind partially & most of the tie not summonable to mind except approximately.
sleep is one of the greatest mysteries of all things in human experience--why we need to sleep, what goes on in the body when we sleep, why do we partially awaken during sleep at specific points, & the big one: why do we dream? 

NEW POEMS 3

NEW POEMS 3
by Peter Ganick
© 2015 Autumn 2015



new poem 3.1

remain formal.
be aware of thoughtfuls of char-pits.
the tarn is wide.
a parallel memory is glossed over.
adamant to the endgame—hola & chokeberry.
whitely commencing & rarely so.
called an imperious teacher.
the ghat.
ghastly.
the occiput.
one hundred asleep counting.
don'1 look.
no township.



new poem 3.2

he narrowly flees rare indices,
somatic rulerates are grieving.
the salute is behind intention,
briars waive consequences of a heroiade in a fore-begone room.
for what pretense are we gilding a gelding.
the comparison of charm compares with an intolerable decorum---
steep light parries its trustworthy phenomena.
call it attitude [sort of] pre-made & coerced.
blind indian wisemen seek the alphabet'd likening to kelp.



new poem 3.3

moot preciousness labeled might as one of its indelible chores.
aver the publicity notified with salute therein fortressed.
no walls against meddlers’ burlap
how is the carnival silent for a moment?
the sequence is then and now from had been to promised.
the way out is nowhere.



new poem 3.4

hybridous talens are for payment.
here’s the rent.
echo after echo, thoughtful emo,
while a bloss fulsome raiment adopts ghostly paradigms of truancy
the plodding materializes a numb clot over amounts of the phenomena’s double renderings holed up in an abnormal parking lot.
numerous defiances blot a retuning.
my manners pollute holdings bottled uptown—glowing preaching downtown.
there’s a clutter everywhere listening to music hurled through the cosmos,
hoops and larks distort euphoric bluets knowing silence is not final—it is closed through some appreciable motor-skills.
nothing else scavenged would fit the form when plus/minus labors are totaled.
the appliances are borrowed.
we are all borrowed.
so we harrow and yammer—
a pliable commencement leads to fiery blasts of liberation yielding silence without emptiness!
the fulfillment is still to combine with intent.
hundreded over a climb of standards,
another attitude is balanced before hybrids begin to invent invasions of bluntness.


new poem 3.5

i do not write of ennui anymore.
a state of mind is what experience holds in common with sideways steps over the monday.
what is a monday?
a difficult song together-singing being rendered.
a wide-proof enduring salute & rhythm to theatre’s orbit.
more the collaborations of innocences with a tattoo shop gracing no cluttered lines on skin-defining solace as being here within space & time’s rodeo.



new poem 3.6

oblique motion vanishes [blunted} from asterisk so brimful.
the tide of parry & flaunt begins this joist so oversold.
i announced an immense location so psychologically obssessed.
i am a bard of hypnogogic redaction.
this opaque methodology is hypothetical to tidy presentations.
hula hoops make sorties over the wall of silence defining addenda.
inner streets of the mind arrive confiscated without enforcement.
so on & on & further it goes—the compulsion startles what’s held in face of old symphonies.
theories doff crushed hats—bloss to their fabulosity.
who held mindstyles so wide so brimful?
who bartered with happenstance?
what was the case for innuendo so random?
hello is shampooed in oversight of denials.
so & so & so.



new poem 3.7

where contextualizing the middle—
then creeping through overstock that embarrases vulcanizes attends the precedent flying far-reaching the distance blown awry.
politic answers are threefold-unrolling carpets.
omega deals alphabetics in wrappers,
even the amount is reluctant —
insomnia deploys hubris wherever hubris will go.
this is the part you’d call somewhat oceanic.
a rattan basement would hold more artifacts.
what is a collection of artifacts other than a sobriquet for eclectic dominos?
mundane thoroughfares behold nature as the demander implyies selection before declension.



new poem 3.8

contra the role-playing karma,
there but for the gringo i are.
the role-player impends creature-comforts.
no one brings downtown hefping cultural elements.
medicate the dwarf mandate.
what me in a mobius-like dwelling?
the beginning is clear,
we cannot know the endgame.





new poem 3.9  

1] full blue moon in gloucester
confidential to the opal racetrack.

as moot as a smooth saloon
they degrammatize the defensive strain.

through release of tiathic envelopes
their dictum constructs blick-bling.

mandalas encourage intention to
consider & srrive.
but where is obvious.
we are all there—
all here.

some various commentary of tools speak of what was
abstract phenomena,
recurring to speak of comma-variables.

detente contrary to evidence
the temporal/eternal concurrence of print.

in a briar often sketched we are sleepily
spotless to karma, tutenkamen’s coil.

so cares the shoes of a vicar.




new poem 3.10

nine totals intellitext as immersion.
planet rime on the glass edge.
the millenary is bookishly debating with hopping frogs.
whose litigant is the chalk-white hand?
& just because having the motor-skills
sometimes is not enough.
motive arrangements fall through attending cloud-covers behaving responsibly wheedling a fermented logician.
call it sneeze to what you like.
a mountain of mouths to feed to treasures-in-hiding.
following though is the issue here.





new poem 3.11

knight takes rook’s pawn, or some such other.
blue-green is in the room-surround.
on the outside or from the inside?
knowledge dawns slowly.
the heart muscle blushes.
lines change—roaming changes,
there is no wisdom to writing poetry.
the previous line is not true.
& even if it conveys opinion.
it is not mine.





new poem 3.12

children use the word “why” frequently.
an adults have to consider if it is an imposition.
perhaps it will alienate.
last night i slept three and a half hours.
who the agent and the one receiving?
that it is mostly knowable is no mystery,
the big one big one is a longing for a personism.





new poem 3.13

the role of feral conduct iterates melancholy—
a rondele-pitched bulletin wanders immerses collates.
dust-can poem, follow-ups are called in all senses ‘feedback’.
give food back to the radiant heat-producers
some pages wear out their welcome mat going in the wrong direction.
the city empties out for summer-shine.
in so seeking a smartphone the world dumbs downtown by email-me beginning their name.
imagine the world in a blog stored in an otter dam.
swimming forcefully on another occasion—
swimming the hundred-thousand islands’ silent neutrality.





new poem 3.14

i am encircled with love—so says the mystic.
somewhere there is music.
i can send it anywhere i like.
perhaps or perhaps not.
that is not a logical conundrum—it is a choice.
my mind opens to unit-awareness.
contrasts define episodes’ impetuousness.
someone arrives to the back porch.
the dog runs back and forth.
i don’t know anything.





new poem 3.15

a swarm of pebbles writes elixir-behaving nothings.
liable to crash on bagatelles self-immersion while talking.
held tandem—the replica can be modest.
it opines ‘meow’ gracefully.
pleonastic home-front.
gapped nightshade where defensible.
moods implode hourly--then scamper.
awaits if a gated city, notions while demanding notions.
believers nettle amazement hundred times overload.
weeds in the front garden are not singular--we distribute any ilk removable.
it was once another ideation waited for indication and was not.
a total awareness of sound through sense-defined manners.
geeks wear tee-shirts dyed black & orange with inked cloth.
halloween wakes to attendance its threefold attitudes network on holidays also.
i sit in the same place, joining yearlong rapidity, with pelicans and seagulls.





new poem 3.16

held-in-transit tuesday—
walked through awash in an nth of paradigms.
the notion wah-wah-oeuvre plasticene-metal-and-cuckoo.
how does a threshing stampede establish fondnesses.
there fools gympish & holy ascribe work to rationality.
vocation imitates relationships—or iffiness is backwards.
intrepid agora—world & signal neutrality pushes a wheelchair where ‘when’ begins its receipt for data.
begins wiring domes for hubris.
gardez-toi.
the ruddered ship has no motor-skills emanating ourselves into the air.
a month of precedent reveals snowfall on the jnanin’s episode.
‘l’estranger’ clocks days & months—
renascent rumors alter waiting.
replacement mirrors hold onto an advice wiring haptic veils.
why not derive a forgiveness beholden to attentive precedent.





new poem 3.17


cortez & why whytofore comes to mind.
in barter this wave awaiting another.
contrastive amulet.
late bloomer.
dossier thereintofore for waiting milliseconds later.
agonist on guitar, that killer of guitar skiffle.
aptitude singing soaring motiveless except to scoff at multiform plebians.
duffers, all, emulating voices from improbability
voices from removed arrangements.
we walk downstairs then outside to a chair to write.
three and one make four, but why?
has it always been like that?
even before the universe?
this is a presentation from mac text-edit
on a porch from this road.
it is impulsion to continue that capitulates
& blots out camaraderie,
an island of dog-barks interrupts the buzz of crickets.
waiting on the moment, so meanders the less than one.
more than ten billion.
out here on this screened porch the mosquitos keep their distance
knowing full well to be here is to be on an island highway.
disturb nothing, do not disturb.





new poem 3.18

trains.
goers.
a stymie from and to.
try to read a schedule of ministrations from potency.
who defends amounts of presence there opening?
a syntax-summit releases persistence dominating leonine clashes.
rams lock horns on a frozen tundra.
holding steady—the fable of affect is thought to be else & more perfect.
it is not.
some frantic melody zipped the mouth of mindstyle.
descriptive announcements have beads on the neck of a woman.
yon befuddlement is rated geologic moodswing.
senses reverie sturm und drang hold more & more.
when simpatico, thresholds, portals, dramatic pauses—
ixnay on a address not visible from the road.
is a rostrum or what it is.
no answer is forthcoming—i don’t like the role placed over me.
actually many roles, so many situations, there contrasting hand held in
emulating previous accuracies.






new poem 3.19

seeing irony glow frankly opens meddlesomeness.
a concern for bulletins mitigates the context applied.
elemental, dear mall-a-be-free.
so green the forest immerses clothes-horses where they may.
‘sheep may safely…’, wrote j s bach.
a lozenge waits ornately for the mouth that feeds it.
hola!—i was a mirror wherever i wished to be,
rain, torrential rain—
where did you grow to in the underbrush?
so, who are you to talk & write like this—
even having a computer speak your lines?
or else i walk away natural & sheepish—
wounded before a cloud can catch fire.





new poem 3.20

until the mosquitos become moonlight,
how transited the flare offering a soapbox million to you,
is the notion without broaching of difficulty.
mindstylism everywhere.
people the flame offhand portal to the ministrations of glissandi.
so epilogues decant amulets one by one over the capitals of big countries.
extremism agrees to redefine treaded mirages’ meaning.
a legume grows in brooklyn nearly every day.
previously, thousands of waking sounds were remitted in person.
four hundred people in the audience tonight.
thank you for being here.

NEW POEMS 2

NEW POEMS 2
Peter Ganick

© autumn 2015 Peter Ganick

________________________________


new poems two



new poem 2.1

a ragged oval—
the thrown quorum runs on—
a deposit has oblique oblique ramifications—
those this, for example.
we catch frequent cellar wildernesses.
a gap is an inclusion.
dasein packs this not thereof that, then—
run on.
not earthsound—nor ‘why’ is uttered ‘unknowable’.
the nimbus jettisons its behavior plugging ‘fuzzbox’ into google.
this culpable ontology runs through gear foibles.
with leapfrog escargot impositions the rendition is soldered.



new poem 2.2

consequence.
trills.
a proboscis, thinkingly.
they run & fly.
why signal?
singing.
the yankees umbrella greeted with raspberries.
in some alternative reality.
test them, geodesic dome.
the crucifix details material geeks.
l’etape.
standard equipment.
some opinioned rind.
reminded of.
otherwise the irritating seeks the other.




new poem 2.3

‘until’ ‘grammatizes’ ‘genealogy’.
it’s an odd bookish emblem.
archeology with an attitude.
the wordy tenant crashcourses into agape.
reclaimed unity passes.
p.
o.
v.
threaded magneto.
blush—
footed blush threshes data.
the auditory embargoes the while.



new poem 2.4

a triadic kosa is in thrall with luminescence for-itself.
no bother for robust neurons.
cold speech.
the domain is foregrounded for music of behavior.
pleonastic therefores are recommend for their tact & grooming.
w are wanders no longer, perhaps.
thresholds crossed thirty-four years ago.
the gist of this poem’s shortness is longterm.
these documents are overheard in house-shy borderlines.



new poem 2.5

the other contains fables.
recidivisms, blankets, meddlesomenesses, & delays.
incisive insight beholds trenchant mobs alternate with lions in the cellar.
mallets—diverticulitises—paradoxes—citizenries.
beleaguer them not.
happiness somewhat or contented is.
unroll bedding named for a trench.
at the graces of a canticle.




new poem 2.6

a modicum of familiarity.
soma behooves definition—
crawls that she blankets leitmotif.
quelled in self-defense.
the collider with a coiled palindrome.
so as to seek elementary particles.
we dream ocean.
we disrobe to swim.
pure.
confiding in speaking to a mirage over there.
an intention reflects on precedents milling about-face.
the nearby detail is no longer iffy or prosaic.




new poem 2.7

an interior flame.
willing so, the network is themselves.
free mainstays hold pessaries by the throat.
we wend our way.
negotiations ‘midst other islanders.
no damage is done.
routines are soaked veritably.
baristas have meat-hooks on each finger so their innuendo is for effect.
arable, rinsed, & prearranged so a feature of  thinking.
imbibe or reframe.
rhythms  are welling forth ,
addendas are being broken.
why? — nonce.
where? — nonce.
when? — not.
there's more to iteration 'ere alignment sleeps.



new poem 2.8

under a tribunal a flange desists.
there’s no tenet unless permission.
where is the claw? the hook?
this sophistic fantasy trills its literate cilia.
poetry invents a motif.
the motif is a jump from the ceiling
of itself.
is it correct to know how to invent.
discourse is a flourish.
quietude reacts to its momentum.



new poem 2.9

this melody is its own reward.
blue blushing bluntness blocks batting cages.
a pitcher.
a machine.
fertile diligence roves through each sentinel.
i am a person without double.
tapping on rattan makes aware of intolerable oversight.



new poem 2.10

the piano places itself on a plateau.
an utensil enthralls the quickness of hands.
now an embargo is prolated to infinity.
aspirates take sufficiency as itself.
noble citizens flare into their collective forests.
the impossible iteration is a lemming to the sky—
a precedent wills winnowing that waits for wanderers’ total edification
toothed intelligently.



new poem 2.11

utterly composite where the ethical becomes necessity.
revering sorghum illbience in thrall of driveways--
public motions sport wily anomalies.
ingenuously predicated intolerables encapsulate when spotchecks are disinfected.
errata rule.
control issues—
lack of.
sometimes an echt mensch is suggestive of  conduction.
why the cranes fly by there.
go there.
somewhere someone speaks humorously about a clean breezeway nestling sideways.
the bootcamp oversells might & gore.
naive is the sulk removed for wildness.
the space out is there interested meno mosso.
i am intentional & risking.
i carry forth authorial functions.
seek.
solve.
& remove.




new poem 2.12

3AM likes double-take are here.
rendered opaque for checking.
that resists or removes for bulk immersion.
imposition elector.
next…
incurably open the sky weans a demitasse.
refuel the elfin negotiations.
amnesia is all.
darting from here to then.
quantified but not unqualified.




new poem 2.13

voices rile as the cone trolls a vidiot.
bobbed-created-visible.
toxic-salted-middle.
a tacked-rolling-mode.
the critter-consequences are great.
voices rile the conifer fortissimos.
['fortissimos' as a verb].
an impetuous mirage—
the tally proffers trumpets
for a centurion image
unadmissive of permission
opening a shuttered foyer.
friends cross the line.
off.
i restore it.
not.
it should not be there.
soma for a moniker bleached battiness.
no charlatan or igloo.




new poem 2.14

techno music as opaque as attitudes’ meld.
the wan stunts recur sent throated into melodies.
sonnet what?
perhaps.
an additive miracle is a precedent at liberty for-itself.
sartre's radical freedom is in plaee—networked & coherent if one digs deep enough.
so imagines a materialization’s plot while diamondine loops are held over a mineralized expanse.
tramps are set upon the critters listening rapt to the stillborn inside the head of a counterclockwise rotation.
the untold story nearby.
without solace therefore.
motions on the horizon fraught with rhythmic description are not described.
no robber—no pawn—no sycophant—no entrance—all access.

_____________________________

NEW POEMS 1

NEW POEMS  [2015]

by Peter Ganick
© summer 2015

______________________________

new poems 1

new poem 1.1

held, helio presume. goer.
parnassus. which endlessness.
which ends somewhere. for once.
absent. which ‘why’ applies?
gratias multiflora. meaning nothing.
quota. perhaps immanent—perhaps not.
dardanelles--crossing of which where?
deploy is carnival--temporal temporary—
resists inert issue allocates.
duckpin blotted humanitizing elocution-mopping algae
the function for which…
aisles opt melded & hundreded lapidary converts wait, waiting.
so much waiting radio gleam—
cluttered gallon huddles.
reductions whither blunt arrangements one at a time.
time which was absence—or absent.
can't decide.
if it's necessary to decide then some will.
correctives await in the referrals.
the referrals go nowhere.
a ghostly paradox is resolved of itself.
on its own…
there is absolution of correction…
the correctives red-shift elsewhere.




new poem 1.2

it is so utterly quiet. sky flails, publicly.
recurring dross. old
scholar. commence. priors.
those flurrying about. contrasts
with artists.
an opportunistic glance. worrisome.
go nowhere. noes amidst fullness.
while stunted. capable. incapable.
reactionary decision.
which mod arrival? entity.
illbient and concrete.
flounder on toast.





new poem 1.3

each rolling history. thematic so it describes.
of pairings in detail. combinations define. motions inscribe.
the telling & stately. which evidence…
portions where?
they’re alternatively hungry. is no use.
though it indicates.
omnibus. those that rest.
motions are inserted where details inscribe.
no other.




new poem 1.4

relative to.
that of.
willing.
not.
happens.
though.
an nth precedent.
tied to.
otherwise.
matching too.
then a crane flies by.
met on a network.
somewhat somewhere.
no knowledge though able.
hat-trick.
none that flee.
imperative.
defensively paradoxical & storage.
endless summer.
detente therefore itself.



new poem 1.5

each rolling history.
thematic in describes.
of pairings in detail.
combinations define.
motions inscribe.
the telling & stately.
evidence… portions where?
they’re alternatively hungry.
is of no use.
though indicates.
omnibus.
those that rest.
motions insert where details inscribe.
no other.



new poem 1.6


...commences then. at that pont.
molecule. infinitives in tryst.
collecting the whole. the precedent is none.
a near miss while driveway. contraption wholly bungled.
coinciding. see what?
they rollover seeing an implausible routine.
scumble. prosody’s contact. beset with grommet's willingness.
a somatic voiceover, breathy. in a chorus, a document, ‘a’ follows ‘b’. ach! that's not it. is it. they are then’s some.
swerve the route plies. cumbersome triffid waddles. naming holding imperative.
met with high-fives. nods portals. standing in a stadium.
stadia.
compendia behave between beleaguerment. a persuasion wills nothing less.
zero pessimist.




new poem 1.7

optimum sound. encroach. non-trial offer.
while reflection opts we mill on a some amalgam.
there’s torpor while silent. strike while hot.
silence. rain on an aperture.
opening a can of seltzer. vignettes, not vinegarettes..
plausible in hover-drive so recondite.
naive & similar.
many effects switch the willing cases, blasted comatose.
a signal to refrain & sort.
so non-returnable, imperious & melodramatic.
swim through on a modifier.
oddity's precursor.
announcers too spacey to continue...



new poem 1.8

red line. through. roughness fades the line.
imposes the line.
tunneling into where. is where.
where ‘is within’ sings george harrison.
improbable improbability. the lens leans through its dialectical promotions.
words are if defined. arē masked with identities.
blotted paradises widely circulate a letterbox.
behold, beholding. so marginal entreaties.
lest oversight's endless game plan.




new poem 1.9

a precedent of ashcans.
praxis.
the tuner cleanses the keys.
priority over signature.
emeritus. debilitation's code-line is thrown windward.
commensurate infinity. let's measure the windward intelligence.
as a nominally too-verbal incandescence.
fragments behave it. dissent's too token so iffy amidst scrambling.
gone me pre-located.
india.
indexes.
we are willing throughout a marginalization.
we complicate trembling's ocean a define limn.
white or blanketed.
in the crease.
a threadless routine has its druthers before firing its throw-to—rope & snake.
doff.
stump.
nutshell.
throughfare identifications wholly decenter their no-fault assignment possibles.
adamant professors relate to the same precedents as begun though indifferent to indexical-hortense.
a mending wide strange & compound. straighten up. at last promissory.
amounts of this praise something awry.
the culinary stretch meets biases headless.



new poem 1.10

unit.
union.
unison.
yoda the magnificent.
distance & speculation.
i've seen a little star-wars.
gain & illusion of gain where sparks speak of minions to come.
teardrops unearth duple mainstays.
where it fits in is irregular.
nod when complexity hits, then define deletion & its martyrdom.
comparable the surprise settles in. keys loosen locks. i am bargained into closure but will dally here.
luge-noun fragments hold reminders of grunge.
the sloka is ungrammatical.
where stymied, retool.
there will be incalculable benelux.





new poem 1.11

a different moment. porcelain and chintz. solace if of the tiller.
no diadem whittles analogies met hale & hearty in surplus.
nitrates in foolscap try one's patience.
telephones topiaries & ocelots (oblique cats) in a dependent clause.
notions after the fact.
an itch so indelible it skanks crosswise around a corner.
in naivete is refuge as precedent calls itself a phoneme or actually three phonemes.
a group of phonemes.
car tires on a sidewalk curbstone. whose retention reminds slowly?
topics-unroll-topiaries are parking lots away in the midland-midstream.
attentive to detection cover.




new poem 1.12 for carol  |

incalculable entry dubbed & trusted.
let homeward, inner pliancy throw then as previously adapts.
melt mellow the cling harpoon, selected with attention.
extensions then so framed, the copier inverts letters midstream materializing.
ductile comparisons wear leggings of blue & gold so as to anachronistically throw to aligned melody.
each comparative bears heats show-cast on preview, so suits over box-lunch.
decoys without password gain no kingdom. summering flies are knowledgeable.
they took away the deposit.
mocha soundscapes clear for a ghostly paparazzo.
thoughts opt for realtime’s oversight so forgone forlorn thematic to blend.
…to an attitude of dissent i retreat before resuming…
so sleepy the none-of-the-above holds its true disconnections as if promised but not so.
we choose parnassus without knowledge of consequence.
i broom a calliope that has had too many riders attached. i know that.
the friend of a friend receives something useful for attention & what chirps so awry prevails on winds on whom others can influence.
a real zone opens out if context does not abandon objectivity.
or illusoriness.
this poem claims there is no difference!
i am unknowable!



new poem 1.13  

the tangible hotel indicates indicated reply.
a thorough & clearcut inlay of stone.
sonic discovery. bone in. bone there to behave beholding the karma beehive.
karma? i am an unqualified westerner. so it says on the platform of a shoe-soul.
the accretion of toil & effort is advised.
'inspiration is for amateurs' says a current pop-star*.
intractable ontology, or whatever.
some plaintive melancholic imbibers are comatose when they splay.
a definitive andiron scopes the holds on perpetual imposition through fallacy & mirage.
‘it is acausal’. the motion speaks ‘is’.
none of the above, each & every.



new poem 1.14

‘nighttime the fable’ is open.
retention's collocation.
once in an explosion the call is mended from attribute.
the least onset is thought to & for widening somatic empathy.
empathy's over-sought by some. crucibles are not always awaiting formulation.
in a tectonic shift, alternate visibilities team up.
the obsession wanders--hear it go forth!
rhythmic or not in its unbalanced ballast.
the forwarding march is non-statement.



new poem 1.15

‘lotus, not confusion of actions’, he said.
thought for the imprecation describes how das urteil is throughout the tale modifying elongation
as the gist of a home-front so tangibly retyping oversell.
pitstop slowed for full cases--what substance it is?
to whom the knowledge is attributed?
while the dormant echelon as definition etches limitation forgoes tolerance is eager for topic: the throated vireo.





new poem 1.16

an apparition offline.
a cold aparition after factoring itself into itself.
manumission so it matriculates decently.
mindstyles have migrated over there before.
that is its praxis when flooded.
hold it a candle.
switch it to reggae.
it is jocular into nighttime rising into cold sight.
to increase the heeding of plot-decoys.
thanks to evidences.





new poem 1.17

night.
redefine.
indelible.
chorus coexists with grabing.
milling with friends above & around.
colossal, the impunity of release that coils into a network-to-share.
immanent & capillary.
cappuccino.
a dove-tailed formalism is naturally parsimonious—
the waking cure.
a native orchestration of molecular betise.
combine. then allot.



new poem 1.18

a ghost in the canoe.
softened as w/ a public meteor.
agon for the close mentor’s inductee.
non-sense is naive & expunged.—‘i can’t get me no.’ *
detail’s mode—scrupulous renditions form recollections.
it’s decay willing a fissure—transit from one toggle otherwise othered.
a mode for abandonment none too often so majestic, minimally put.
so put the clock under a wall of clay.
one politic goes in to skulk while this goes.
c'est la vie…



new poem 1.19

history.
histrionic.
the cold emotional red-shift.
naive moebius that clarifies identity.
cold manages the thoroughfare on a silent omnibus.
where collarbones wrinkle an inner flange.
inner.
inwardness.
a descriptive term while operative or defunct.
dungeon signals dry out theatrical derivatives.
the cul de sac is admissive of too much entity.
it’s a flange whose duple trends over the side.
noun-nuanced nuances call “illbient” the acrostic nature of wordmanship.
no harbor.
swordsmanship.
entourage.
the mannerist mannerism.
an ecological preoccupation that space remains.
a ludic habit entreated over rumors are yardarm.
so much disproportionate emulation thereof.
ghosts.
ayler.
verbal & visual.
without thinking we regulate.
the frequency debates itself.
so to engulf while capstans turn.
opiate-forming attitudes.
revert to sacks over holsters.
it keeps the peaceful dispensation.
it traverses targets ruled cleric mentor.
a tiger-balm for wounds given & received.
a contrasted motive relates cold spaces we inhabit.
a switch centralizes mandalas' connotation while the camera aperture impounds.
an etude wills to work wielding the very notions are thrown to impulse.
unfinishable.
yet idiom.
chockful.
we elope with a description that evolves.
description—the bias foregone of contention gone to a spelling bee.
some gustatory code—call it intrepid with a smile.


new poem 1.20        for sheila

to description, then
the notions are parallel & obviated where bulleted.
emo grasping tells the frame to tap—no.
cul de sac.
they’re livid through scuttling prescience≈.
a cartouche mollifies whodunits of a type opaque & glistening.
a mad materialism with grateful agreements.
they describe a presumed technique.
despondent motions are waiving looking at the lassitude where an emotion is spry.
how can colombes arrive as scepters?
so we mutate the items too pernicious to trash birdsongs.
indexed glances motivate topics.
throwness* is for once the artifact meeting with humanity.


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